Such a system places one string above the other rather than parallel to it (as on a banjo or a pipa). The two strings pass over a bridge and then are suspended above a pole to the pegs, which are inserted from the rear of the pegbox (not from the sides as on a Western violin).
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The small body has a skin or wooden soundboard and an open back. Although the shape of the body may be different, all traditional Chinese fiddles exhibit certain structural characteristics. It comes in several different forms, such as the small, shrill-voiced jinghu and the larger, more mellow-toned erhu. The most common melodic instrument for opera is some form of fiddle, or bowed lute ( huqin). In addition to all the instruments mentioned above, many others may be found. However, jingxi really combines elements from many different earlier forms and, like Western grand opera, can be considered to be a 19th-century product. Credit for the beginning of jingxi is given to actors from Anhui (now a province in eastern China) appearing in Beijing (then called Peking) in the 1790s. Since the 18th century jingxi (or jingju), popularly known as Peking opera, has arisen as the principal form of Chinese music-drama.
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